Will of the Mischief Maker
What happens when a deity needs a human body?
They go to the source, of course.
Eshu the Trickster needs a mortal form for his mischievous plans, but the only other Orisha who can help him swore off the practice ages ago.
It will take careful scheming to convince the Original Architect to come out of retirement. Any misstep and Eshu will be thrown from the Sky Realm.
What’s worse, Eshu hasn’t visited the heavens for several centuries. Would his former comrade even be the same? How can Eshu persuade someone he barely knows anymore?
Find out in this prequel short story to The Gatekeeper’s Staff, a young adult fantasy based on the West African mythology of the Orishas.
BEST DEALS
About the Author
ANTOINE BANDELE IS AN AMAZON BESTSELLING AUTHOR IN AFRICAN LITERATURE.
He lives in Los Angeles, CA with his girlfriend, where he produces work on YouTube for his own channel and others, such as JustKiddingFilms, Fanalysis, and more. During the summer he is a camp counselor. Whenever he has the time he’s writing his debut series: Tales from Esowon.
SINCE 1990 ...
I've been a creative kid, whether writing stories, drawing comics, or directing home movies. I remember the first time I thought I was a "published" author. My father took my brother and I to an office supply store, where we got our books (which were made out of wide-ruled notebook paper) laminated and copied.
It felt so legit.
In elementary school, I kept filling out more notebooks with my stories. I was even brave enough to share those stories with friends during recess. The underside of the playground slide became my own library, but the only inventory was my books. They were stories about kung fu fighting teenagers who were stuck in their own dreams (still might develop that one day), or fan fiction covering my favorite franchises.
Growing up in Los Angeles, only a few miles from Hollywood, I started flirting with the film industry. This became my focus throughout my young adult years. I majored in Multimedia at California State University Northridge (though my diploma is still incomplete). That eventually got me on YouTube which (for most filmmakers in those early days) was the best place to archive and share your work. YouTube has turned into a different beast today, but I still seek out that sense of community it had among like-minded individuals.