A Country Doctor's Notebook
Originally published in 1925, ‘A Country Doctor's Notebook’ is part autobiography and part fiction collection of short stories by Mikhail Bulgakov—Soviet playwright, novelist, and short-story writer best known for his humor and penetrating satire. This records the author’s experiences practicing in a small village hospital in Smolensk Governorate in revolutionary Russia between 1916 and 1918, originally published in installments in Russian medical journals, and later adapted into the British TV series starring Daniel Radcliffe and Jon Hamm. These stories chronicle the darkly comic adventures of a physician in rural 1917 Russia.
Fresh from medical school in the winter of 1917, the young Dr. Bomgard assumes the role of the only doctor in a provincial Russian hospital. Dealing with cases ranging from the horrific to the hilarious to the surreal, Bomgard recounts his solitary time practicing medicine among the superstitious, uneducated, and deeply suspicious populace of his new town. He exhibits relentless patience and determination while fighting the daily uphill battle against the challenges of an inexperienced country doctor, including scouring ten textbooks at once, hours before a complicated surgery; dealing with patients who either refuse to take their medicine or take it all at once; and handling a colleague with a dangerous morphine addiction. Somehow, despite the near-constant chaos, Bomgard continues to focus on the life-affirming moments that make his efforts worth the uncertainty, isolation and lost sleep.
BEST DEALS
About the Author
Mikhail Bulgakov was born in Kyiv, Russian Empire (today part of modern Ukraine) on 3/15 May 1891. He studied and briefly practised medicine and, after indigent wanderings through revolutionary Russia and the Caucasus, he settled in Moscow in 1921. His sympathetic portrayal of White characters in his stories, in the plays The Days of the Turbins (The White Guard), which enjoyed great success at the Moscow Art Theatre in 1926, and Flight (1927), and his satirical treatment of the officials of the New Economic Plan, led to growing criticism, which became violent after the play, The Purple Island.
His later works treat the subject of the artist and the tyrant under the guise of historical characters, with plays such as Molière, staged in 1936, Don Quixote, staged in 1940, and Pushkin, staged in 1943. He also wrote a brilliant biography, highly original in form, of his literary hero, Molière, but The Master and Margarita, a fantasy novel about the devil and his henchmen set in modern Moscow, is generally considered his masterpiece. Fame, at home and abroad, was not to come until a quarter of a century after his death in Moscow in 1940.
Read Sample
Chapter 1 : The Embroidered Towel
If you have never driven over country roads it is useless for me to tell you about it; you wouldn’t understand anyway. But if you have, I would rather not remind you of it.
To cut a long story short, my driver and I spent exactly twenty-four hours covering the thirty-two miles which separate the district town of Grachyovka from Muryovo hospital. Indeed so nearly exactly twenty-four hours that it was uncanny: at 2 p.m. on 16 September 1916 we were at the last corn-chandler’s store on the outskirts of the remarkable town of Grachyovka, and at five past two on 17 September of that same unforgettable year 1916, I was in the Muryovo hospital yard, standing on trampled, withered grass, flattened by the September rain. My legs were ossified with cold, so much so that as I stood there bemused, I mentally leafed through the textbook pages in an inane attempt to remember whether there was such a complaint as ossification of the muscles or whether it was an illness I had dreamed up while asleep the night before in the village of Grabilovka. What the devil was it in Latin? Every single muscle ached unbearably, like toothache. There is nothing I can say about my toes—they lay immobile in my boots, as rigid as wooden stumps. I confess that in a burst of cowardice I pronounced a whispered curse on the medical profession and on the application form I had handed in five years earlier to the rector of the university. All the time a fine rain was drizzling down as through a sieve. My coat had swelled like a sponge. I vainly tried to grasp my suitcase with the fingers of my right hand, but in the end spat on the wet grass in disgust. My fingers were in capable of gripping anything. It was then, stuffed as I was with all sorts of knowledge from fascinating medical books, that I suddenly remembered the name of the illness—palsy. ‘Paralysis’, I said to myself in despair, God knows why.
‘Your roads take some getting used to,’ I muttered through stony, blue lips, staring resentfully at the driver, although the state of the road was hardly his fault.
‘Ah, comrade doctor,’ he answered, with lips equally stiff under their fair moustache, ‘I’ve been driving fifteen years and I still can’t get used to them.’
I shuddered and glanced round miserably at the peeling, white, two-storey hospital building, at the bare log walls of my assistant’s house, and at my own future residence, a neat, two-storey house with mysterious windows blank as gravestones. I gave a long sigh. Suddenly instead of Latin words a faraway memory flashed through my head, a sweet phrase which a lusty tenor in blue stockings sang in my numbed and shaken head: Salut, demeure chaste et pure... Farewell, farewell, it will be a long time before I see you again, oh golden-red Bolshoi Theatre, Moscow, shop windows... ah, farewell.
‘Next time, I’ll wear a sheepskin coat,’ I said to myself in angry desperation, tugging at the suitcase by its straps with my inflexible hands. ‘I’ll... though next time it’ll be mid-October, I’ll have to wear two sheepskin coats. I certainly shan’t be going to Grachyovka for a month yet. Just think... I actually had to put up for the night en route! When we had only driven fifteen miles and it was as black as the tomb... it was night... we had to stop in Grabilovka, a school teacher put us up. This morning we set off at seven in the morning, and here we are... God, it’s been slower driving here than if we’d come on foot. One wheel got stuck in a ditch, the other swung up into the air, my case fell on to my feet with a crash, we slithered from side to side, lurching forward one moment, backward the next. And all the time a fine rain drizzling down and my bones turning to ice. Who’d believe you can freeze as easily in the middle of a grey, miserable September as in the depth of winter? Ah well, it seems you can. And as you die a slow death there’s nothing to look at except the same endless monotony. On the right the bare, undulating fields and on the left a stunted copse, flanked by five or six grey, dilapidated shacks. Not a living soul in them, it seems, and not a sound to be heard.’
In the end the suitcase yielded. The driver lay on his stomach and shoved it down on top of me. I tried to catch it by the strap but my hand refused to perform and the beastly thing, crammed with books and all sorts of rubbish, flopped down on to the grass, crashing against my legs.
‘Oh Lor...’ the driver began fearfully, but I did not complain. My legs were no more sensitive than two sticks of wood.
‘Hey, anybody at home? Hey!’ the driver cried out and flapped his arms like a rooster flapping its wings. ‘Hey, I’ve brought the doctor!’
At once faces appeared, pressed against the dark windows of the assistant’s house. A door banged and I saw a man hobbling towards me in a ragged coat and worn old boots. He hurriedly and respectfully doffed his cap, ran up and stopped two paces short of me, then smiling somewhat bashfully he welcomed me in a hoarse voice:
‘Good day, comrade doctor.’
‘And who might you be?’ I asked.
‘I’m Yegorich,’ he introduced himself, ‘the watchman here. We’ve been expecting you.’
Without wasting a moment he grabbed the suitcase, swung it over his shoulder and carried it in. I limped after him, trying unsuccessfully to thrust my hand into my trouser pocket to get out my purse.
Man’s basic needs are few. The first of them is fire. Back in Moscow, when I found out that I was to go to remote Muryovo, I had promised myself that I would behave in a dignified manner. My youthful appearance made life intolerable for me in those early days. I always made a point of introducing myself as ‘Doctor So-and-So’, and inevitably people raised their eyebrows and said:
‘Really? I thought you were still a student.’
‘No. I’m qualified,’ I would answer sullenly, thinking: ‘I must start wearing spectacles, that’s what I must do.’ But there was no point in this, as I had perfectly good vision, my eyes as yet unclouded by experience. Unable to wear glasses as a defence against those invariable, affectionately indulgent smiles, I tried to develop a special manner designed to induce respect. I tried to talk evenly and gravely, to repress impulsive movements as far as possible, to walk and not run as twenty-four-year-olds do who have just left university. Looking back, I now realise that the attempt did not come off at all.
At the moment in question I disobeyed my unwritten code of behaviour. I sat hunched up in front of the fire with my shoes off, not in the study but in the kitchen, like a fire worshipper, fervently and passionately drawn to the birch logs blazing in the stove. On my left stood an up turned tub with my boots lying on top of it, next to them a plucked cockerel with a bloodstained neck, and its many-coloured feathers lying in a heap beside it. While still stiff with the cold, I had somehow managed to perform a whole set of vital actions. I had confirmed Yegorich’s wife, the sharp-nosed Aksinya, in her position as my cook. As a result of this she had slaughtered the cockerel and I was to eat it. I had been introduced to everyone in turn. My feldsher was called Demyan Lukich, the mid wives were Pelagea Ivanovna and Anna Nikolaevna. I had been shown round the hospital and was left in no doubt whatever that it was generously equipped. With equal certainty I was forced to admit (inwardly, of course) that I had no idea what very many of these shiny, unsullied instruments were for. Not only had I never held them in my hands, but to tell the truth I had never even seen them.
‘Hm,’ I mumbled significantly, ‘must say you have an excellent set of instruments. Hm...’
‘Oh sir,’ Demyan Lukich remarked sweetly, ‘this is all thanks to your predecessor Leopold Leopoldovich. You see, he used to operate from dawn till dusk.’
I was instantly covered with cold sweat and stared glumly at the gleaming cupboards.
We then went round the empty wards and I satisfied myself that they could easily hold forty patients.
‘Leopold Leopoldovich sometimes had fifty in here,’ Demyan Lukich said consolingly, and Anna Nikolaevna, a woman with a diadem of grey hair, chose to say:
‘Doctor, you look so young, so very young... it’s simply amazing. You look like a student.’
‘Oh, hell,’ I said to myself, ‘really, you’d think they were doing it on purpose!’
Through clenched teeth I grunted:
‘Hm... no, well, I... yes, rather young looking...’
After that we went down to the pharmacy and a glance was enough to tell me that it was supplied with every conceivable medicine. Its two sombre rooms smelled strongly of herbs and its shelves were filled with an endless variety of preparations. There were even foreign patent medicines, which, need I add, I had never heard of.
‘Leopold Leopoldovich ordered these,’ Pelagea Ivanovna reported proudly.
‘This Leopold was nothing short of a genius,’ I thought and was filled with respect for the mysterious Leopold who had left the quiet little village of Muryovo behind him.
Besides fire, man also needs to find his bearings. I had long since eaten the cockerel, Yegorich had stuffed my mattress with straw and covered it with a sheet, and a light was burning in my study. Spellbound, I sat and stared at the legendary Leopold’s third great achievement: the book case was crammed with books. I counted roughly thirty volumes of surgery manuals in Russian and German. And the books on the rapeutics! The beautiful leather-bound anatomical atlases!
Evening drew on and I started to find my bearings.
‘It’s not my fault,’ I repeated to myself stubbornly and unhappily. ‘I’ve got my degree and a first class one at that. Didn’t I warn them back in town that I wanted to start off as a junior partner in a practice? But no, they just smiled and said, “You’ll get your bearings.” So now I’ve got to find my bearings. Suppose they bring me a hernia? Just tell me how I’ll find my bearings with that? And more to the point, what will a hernia patient feel like when I get my hands on him? Will he find his bearings in the next world?’ The thought made my blood run cold.
‘What about peritonitis? Oh no! Or croup, that country children get? When is tracheotomy indicated? Even if it doesn’t need tracheoto my I shall be pretty much at sea... What about... what about... deliveries! I forgot about deliveries! Incorrect positions. What on earth will I do? What a fool I was! I should have refused this job. I really should. They should have found themselves another Leopold.’
Miserable, I paced up and down the twilit study. When I came up to the lamp I caught sight of the reflection of my pale face and of the light of the lamp in the window set against the boundless darkness of the fields.
‘I’m like Dmitry the Pretender—nothing but a sham,’ I thought stupidly and sat down at the table again.
I spent about two lonely hours of self-torment and only stopped when my nerves could no longer bear the horrors I had summoned up. Then I started to calm down and even to work out a plan of action.
‘Let’s see now... they tell me admissions are almost nil at the moment. They’re braking flax in the villages, the roads are impassable...’
‘That’s just when they will bring you a hernia,’ thundered a harsh voice in my mind, ‘because a man with a cold won’t make the effort over impassable roads but rest assured they’ll bring you a hernia, my dear doctor.’
There was something in what the voice said. I shuddered.
‘Be quiet,’ I said to it. ‘It won’t necessarily be a hernia. Stop being so neurotic. You can’t back out once you’ve begun.’
‘You said it!’ the voice answered spitefully.
‘All right then... I won’t take a step without my reference book... If I have to prescribe something I can think it over while I wash my hands and the reference bookwill be lying open on top of the patients’ register. I shall make out wholesome but simple prescriptions, say, sodium salicylate, 0.5 grammes in powder form three times a day.’
‘You might as well prescribe baking soda! Why don’t you just prescribe soda?’ the voice was blatantly making fun of me.
‘What’s soda got to do with it? I’ll also prescribe an infusion of ipecacuanha, 180 c.c.Or 200 c.c. if you don’t mind.’
And although no one was asking for ipecacuanha as I sat there alone by the lamp, I sheepishly turned the pages in the pharmacopoeia and checked ipecacuanha; meanwhile I automatically read in passing that there was a certain substance called ‘Insipin’ which is none other than ‘ethereal sulphate of quinine-diglycolic acid.’ Apparently it doesn’t taste of quinine! What is it for? And how is it prescribed? What is it, a powder? To hell with it!
‘That’s all very well, but what are you going to do about a hernia?’ The voice of Fear continued to pester me.
‘I’ll put them into a bath,’ I defended myself in exasperation, ‘and try to reduce it.’
‘What if it’s a strangulated one, old boy? Baths won’t be much use then, will they! A strangulated hernia!’ Fear chanted in a demoniac voice, ‘You’ll have to cut it out...!’
I gave in and all but burst into tears. I sent out a prayer to the darkness outside the window: please, anything but not a strangulated hernia.
Weariness then crooned:
‘Go to bed, unhappy physician. Sleep on it. Calm down and stop being neurotic. Look how still the dark is outside the window, the fields are cold and sleeping, there is no hernia. You can think about it in the morning. You’ll settle down... Sleep... drop that book of diagrams, you won’t make head or tail of it anyway... hernial orifice...’
* * *
I don’t remember him arriving. I only remember the bolt grating in the door, a shriek from Aksinya and a cart creaking out in the yard.
He was hatless, his sheepskin coat unbuttoned, his beard was dishevelled and there was a mad look in his eyes.
He crossed himself, fell on his knees and banged his forehead against the floor. This to me!
‘I’m a lost man,’ I thought wretchedly.
‘Now, now—what’s the matter?’ I muttered and pulled at his grey sleeve.
His face twisted and he started mumbling a breathless and incoherent answer:
‘Oh doctor, sir... sir... she’s all I’ve got, she’s all I’ve got, she’s all I’ve got,’ he burst out suddenly in a voice so young-sounding and powerful that the lampshade trembled. ‘Oh, sir, oh...’ He wrung his hands in misery and started knocking his forehead against the floorboards as if trying to smash them. ‘Why? Why am I being punished? What have I done to deserve God’s anger?’
‘What is it? What’s happened?’ I cried out, feeling the blood draining from my face.
He jumped to his feet, rushed towards me and whispered:
‘Anything you want, doctor, sir... I’ll give you money, take as much money as you want. As much as you want. We’ll pay you in food if you like. Only don’t let her die. Don’t let her die. Even if she’s to be a cripple, I don’t mind. I don’t mind!’ He shouted to the ceiling. ‘I’ve got enough to feed her, I can manage.’
I could see Aksinya’s pale face in the black rectangle of the door. I was overcome with anguish.
‘Well, what is it? Speak!’ I cried irritably.
He stopped. His eyes went blank and he whispered, as if telling me a secret:
‘She fell into the brake.’
‘Brake... brake? What’s that?’
‘Flax, they were braking flax, doctor,’ Aksinya whispered in explanation, ‘you know, brake, flax braking...’
‘Here’s a fine beginning. This is it. Oh why did I ever come?’ I said to myself in horror.
‘Who?’
‘My daughter,’ he answered in a whisper, and then shouted, ‘Help me!’ Once again he threw himself to the floor and his hair, cut like a mop in peasant fashion, fell into his eyes.
The pressure-lamp with its lopsided tin shade burned with hot beams of light. She lay on the operating table, on white, fresh-smelling oilcloth and when I saw her all thoughts of hernia vanished from my mind.
Her fair, almost reddish hair hung down from the table in a matted clump. She had a gigantic plait which reached to the floor.
Her calico skirt was torn and stained with blood in various shades from brown to oily scarlet. The light of the kerosene lamp was a lively yellow in comparison with her paper-white face, and her nose was beginning to sharpen. On her white face, motionless as a plaster cast, a truly rare beauty was fading away before my eyes. Seldom in life does one see such a face.
The operating theatre was completely silent for about ten seconds, but from behind the closed doors came the muffled sounds of someone shouting and banging his head over and over again.
‘Gone out of his mind,’ I thought. ‘The nurses must be seeing to him. Why is she so beautiful? Though he does have good bone structure; the mother must have been a beautiful woman. He’s a widower...’
‘Is he a widower?’ I whispered automatically.
‘Yes, he is,’ Pelagea Ivanovna answered quietly.
Then Demyan Lukich, almost as if in anger, ripped the skirt from hem to waist, baring her instantly. I looked, and what I saw was even worse than I had expected. Strictly speaking there was no left leg. From the smashed knee down there were just bloody shreds, battered red flesh and splinters of white bone protruding in all directions. The right leg was fractured at the shin so that the tips of both bones had punctured the skin and her foot lay lifelessly on its side, as though disconnected.
‘Yes...’ the feldsher pronounced softly and that was all he said.
Thereupon I regained my wits and started feeling her pulse. Her cold wrist registered nothing. Only after a few seconds did I detect a barely perceptible, irregular ripple. It passed and was followed by a pause during which I had time to glance at her white lips and nostrils, which were turning blue. I already felt like saying ‘It’s all over’, but fortunately controlled myself... there was another hint of a beat.
‘The end of a mangled human being,’ I said to myself. ‘There’s really nothing more to be done.’
But suddenly I said sternly, in a voice that I did not recognise:
‘Camphor.’
Anna Nikolaevna bent over to my ear and whispered:
‘What for, doctor? Don’t torture her. What’s the point of smashing her up any more? She’ll die any minute now... you won’t save her.’
I gave her an angry look and said:
‘I asked for camphor...’ in such a way that she flushed, marched resentfully to the little table and broke an ampoule. The feldsher obviously did not approve of the camphor either. Nonetheless he deftly and swiftly took hold of a syringe and the yellow oil went under the skin of her shoulder.
‘Die. Die quickly,’ I said to myself. ‘Die. Otherwise what am I to do with you?’
‘She’ll die now,’ whispered the feldsher as if guessing my thoughts. He glanced meaningfully at the sheet but apparently changed his mind. It seemed a pity to stain it with blood. But a few seconds later he had to cover her. She lay like a corpse, but did not die. Suddenly my head became quite clear, as if I were standing under the glass roof of the anatomy theatre in that faraway medical school.
‘Camphor again,’ I said hoarsely.
And once again the feldsher obediently injected the oil.
‘Is she really not going to die?’ I thought in despair. ‘Will I really have to...’
Everything lit up in my mind and I suddenly became aware without any textbooks, without any advice or help (and with unshakeable conviction), that now, for the first time in my life I had to perform an amputation on a dying person. And that that person would die under the knife. She was bound to die under the knife; after all, there was no blood left in her body. It had all drained out through her shattered legs over six miles and there was not even a sign that she was conscious. She was silent. Oh, why didn’t she die? What would her maddened father say to me?
‘Prepare for an amputation,’ I said to the assistant in a voice that was not my own.
The midwife gave me a fierce look but the feldsher showed a spark of sympathy in his eyes and began busying himself with the instruments. A primus-stove started to roar.
A quarter of an hour passed. I raised her cold eyelid and looked with superstitious fear at the expiring eye. It told me nothing. How could a semi-corpse stay alive? Drops of sweat ran uncontrollably down my forehead from under my white cap and Pelagea wiped away the salt sweat with gauze. What remained of the blood in the girl’s veins was now diluted with caffeine. Ought it to have been injected or not? Anna Nikolaevna was gently massaging the swellings caused by the saline solution. And the girl lived on.
I picked up the knife, trying to imitate the man I had once in my life seen perform an amputation, at university. I entreated fate not to let her die at least in the next half hour. ‘Let her die in the ward, when I’ve finished the operation...’
I had only common sense to rely on, and it was stimulated into action by the extraordinary situation. Like an experienced butcher, I made a neat circular incision in her thigh with the razor-sharp knife and the skin parted without exuding the smallest drop of blood. ‘What will I do if the vessels start bleeding?’ I thought, and without turning my head glanced at the row of forceps. I cut through a huge piece of female flesh together with one of the vessels—it looked like a little whitish pipe—but not a drop of blood emerged from it. I stopped it up with a pair of forceps and proceeded, clamping on forceps wherever I suspected the existence of a vessel. ‘Arteria... arteria... what the devil is it called?’ The operating theatre had begun to take on a thoroughly professional look. The forceps were hanging in clusters. My assistants drew them back with gauze, retracting the flesh, and I started sawing the round bone with a gleaming, fine-toothed saw. ‘Why isn’t she dying? It’s astonishing... God, how people cling to life!’
The bone fell away. Demyan Lukich was left with what had been a girl’s leg in his hands. Shreds of flesh and bone. This was all discarded and there remained on the table a young girl shortened, as it were, by a third, with a stump splayed out to one side. ‘Just a little bit more... Please don’t die,’ I wished ardently, ‘keep going till they take you to the ward, let me come out of this frightful episode with some credit.’
They tied the ligatures and then, knees knocking, I started sewing up the skin with widely-spaced stitches. Suddenly I stopped, brought to my senses by an inspired thought: I left a gap for drainage in which I inserted a gauze wick. My eyes were dimmed with sweat. I felt as if I were in a steam bath.
I heaved a sigh of relief. I looked wearily at the stump and at her waxen face and asked:
‘Is she alive?’
‘Yes, she’s alive,’ came the immediate and almost soundless echo as the feldsher and Anna Nikolaevna replied in unison.
‘She’ll last perhaps another minute or so,’ the feldsher mouthed voicelessly into my ear. Then he hesitated and suggested tentatively:
‘Perhaps you needn’t touch the other leg, doctor. We could just bandage it, you know... otherwise she won’t last till the ward... all right? Better if she doesn’t die in the theatre.’
‘Let’s have the plaster,’ I uttered hoarsely, urged on by some unknown force.
The floor was covered in white blobs of gypsum. We were all bathed in sweat. The body lay lifeless. Its right leg was encased in plaster and the shin showed through where in another inspired moment I had left a window to coincide with the fracture.
‘She’s alive,’ the assistant breathed in surprise.
Then we started lifting her and an enormous cavity could be seen under the sheet—we had left a third of her body on the operating table.
Shadows flitted down the passage, nurses darted to and fro and I saw a disheveled male figure shuffle past along the wall and let out a muffled howl. But he was led away. Silence fell.
In the operating room I washed off the blood which had stained my arms up to the elbow.
‘I suppose you’ve done a lot of amputations, doctor?’ Anna Nikolaevna asked suddenly. ‘That was very good, no worse than Leopold.’
She invariably pronounced the name ‘Leopold’ as if she were talking about the dean of a medical school.
I glanced suspiciously at their faces and saw respect and astonishment in all of them, including Demyan Lukich and Pelagea Ivanovna.
‘Hm, well, the fact is I’ve done only two...’
Why did I lie? I cannot understand it to this day.
The hospital was utterly silent.
‘When she dies, be sure to send for me,’ I told the feldsher in an undertone, and for some reason instead of just answering ‘All right,’ he said deferentially:
‘Very good, sir.’
A few minutes later I was standing beside the green-shaded lamp in the study of the doctor’s quarters. There was not a sound to be heard.
A pale face was reflected in the pitch-dark window.
‘No, I don’t look like Dmitry the Pretender, and, do you know, I seem to have aged, there’s a furrow between my eyebrows... right now there’ll be a knock... and they’ll say, “She’s dead”.
‘Yes, I’ll go and have a last look, any minute now there’ll be a knock...’
* * *
There was a knock at the door. It was two and a half months later. One of the first bright days of winter was shining through the window.
He came in; only then did I really look at him. Yes, he definitely had good features. Forty-five years old. Sparkling eyes.
Then a rustling sound. A young girl of enchanting beauty came bounding in on crutches; she had only one leg and was dressed in a very wide skirt with a red border at the hem.
She looked at me and her cheeks flushed pink.
‘In Moscow... in Moscow,’ I said and started writing down an address, ‘they’ll fix you up with a prosthesis—an artificial leg.’
‘Kiss his hand,’ the father suddenly commanded her. I was so confused that I kissed her on the nose instead of the lips.
Then, hanging on her crutches, she undid a bundle and out fell a snow-white towel artlessly embroidered with a red cockerel. So that was what she’d been hiding under her pillow when I did my rounds in the ward! And indeed I remembered seeing some thread on her bedside table.
‘I can’t accept it,’ I said sternly, and even shook my head. But she gave me such a look that I took it.
It hung in my bedroom in Muryovo and then went with me on my travels. In the end it grew threadbare, faded, wore out and disappeared just as memories fade and disappear.